November 7, 2017 at 12:15PM •
1 hour 37 minutes
This week, they say imitation is the sincerest form of flattery. If you could recreate any single photograph, which one would it be and why? Does everything in a museum really “deserve” to be there or was Sturgeon right and 90% of everything is just crap? Plus, with modern cameras so dependent on software, should camera makers turn to the open source community? Virginia Thoren is our Photographer of the Week. Connect with us! Leave a message at: (347) 687-9411 or email us at: email@example.com
October 31, 2017 at 12:15PM •
1 hour 47 minutes
This week, happy Halloween! What constitutes a cultural experience for you? A museum? A gallery? Going bowling? Also, what motivates you to look at art? Plus, we talk about managing expectations of creative endeavors when they are just outside of your comfort zone. Four-time Pulitzer Prize winner Carol Guzy is our Photographer of the Week.
October 24, 2017 at 11:30AM •
1 hour 42 minutes
This week, when do great cameras (or any other tools for that matter) cease to be great? Many of us chase the latest and greatest, but even the older version was great once. Also, some thoughts on photos as objects, courtesy of Wim Wenders and his collection of thousands of Polaroids. Plus, managing expectations about what we put out into the world. Taryn Simon is our Photographer of the Week. As a teaser for next week, what defines a “cultural experience” for you?
October 20, 2017 at 10:45AM •
1 hour 50 minutes
This week, the amount of new post-production tools (including the newly announced Lightroom CC) inspires a discussion around workflow and the potential need for evolution in how we catalog and process our photographs. While some photographers (ourselves included) tend to prefer the “old” ways of doing things, tools seem to be making a shift, both in capability and in target audience. Also, we begin a look at whether or not you even need a website anymore. There doesn’t seem to be a definitive answer either way and, in the end, it really depends on what you want to get out of your work. Eugene Richards is our Photographer of the Week.
October 10, 2017 at 11:15AM •
1 hour 28 minutes
This week, how do you approach a new project or body of work? Is the making more important than the potential juice? Or is potential monetization always a component? Also, a discussion around creating work vs. seeing work, using photojournalism as an example. Plus, a spoiler-free discussion of the making of Blade Runner 2049 from the perspective of practical vs CG environments. Lynn Gilbert is our Photographer of the Week.
October 3, 2017 at 12:45PM •
1 hour 35 minutes
This week, have improvements to the gear side of photography affected the overall craft of making pictures? Or are we now able to simply pick and choose the pieces of the craft that matter most to us? Also, a listener asks about what motivates us to make, the love of doing it, money, or something else? Larry Burrows is our Photographer of the Week.
September 26, 2017 at 7:30PM •
1 hour 38 minutes
This week, we’re addressing some of your feedback from email and the Google+ group, including the impact that mobile photography has had on how we take and share pictures. Also, we talk about the iterative nature of creativity and how sometimes starting over on a project can be a good thing. Maris Svarbova is our Photographer of the Week.
September 19, 2017 at 2:00PM •
1 hour 38 minutes
This week, does having tools at the ready make you more likely to actually create? Or is preparing to create a necessary part of your process? Sometimes creativity shows up messy, if it comes at all. Also, is the perception/representation around women in photography changing, both in front of and behind the camera? Depends on where you look. According to Getty, yes. But, based on something that recently happened with Nikon, maybe not so much. Ronan McKenzie is our Photographer of the Week.
September 12, 2017 at 2:45PM •
2 hours 3 minutes
This week, we’re attempting to answer some of your questions that range from our desert island photo choices to whether or not ego affects how we take pictures. There are also questions on how to recognize when a project is done and whether or not it’s possible to change your photographic style. As usual, we got some questions that really stumped us, and some that we’re going to have to come back around to after thinking about them a bit. Pete Turner is our Photographer of the week.
September 5, 2017 at 12:15PM •
1 hour 27 minutes
This week, can creatives have concrete long term goals or is the nature of making such that clarity beyond a certain point is elusive by design? Then again, if you can’t define a specific goal or end point, how do you know whether you are getting closer or moving further away from where you want (or need) to be? Ruth Orkin is our Photographer of the Week.