August 2, 2016 at 1:15PM •
1 hour 29 minutes
This week, how do you know if you’re close to the target if the target hasn’t been clearly defined? We discuss the difficulty in embarking on a journey (creative or otherwise) without at least a direction. How to you calibrate your creative compass when there is no true North? Also, next week we’re talking about the work and process of Daido Moriyama, using a video in this week’s show notes as a reference. Plus, who was the nineteenth century’s most photographed individual? The answer may surprise you. Klaus Enrique is our Photographer of the Week.
July 26, 2016 at 10:00AM •
1 hour 30 minutes
This week, a couple books about Saul Leiter show that great photography is not always about per pixel sharpness and bright, saturate color. The problem is, when do you know when it is and when it isn’t? Can a photographic style be plotted like a course on a map, or does it only happen in the rear view mirror? Also, video seems to be the “it” factor for much of the photography industry, but is it worth it, when you consider the gear, the time and the ability required to really do it well? Arthur Tress is our Photographer of the Week.
July 19, 2016 at 12:00PM •
1 hour 39 minutes
This week, we talk about getting out of your own way and recognize that giving up control doesn't mean giving up the wheel. Also, we discuss a fascinating article on Chuck Close and what we sometimes leave on the studio floor in the name of art. Plus, photojournalist Ed Kashi is our Photographer of the Week.
July 12, 2016 at 12:00PM •
1 hour 27 minutes
This week, we’re taking a look at the fact vs. the possible fiction around the myth of famed photojournalist Robert Capa — specifically, the photographs of the D-Day invasion in WWII. Also, a discussion around gear. What do you do when the camera is the limitation, not your vision, and you’re trying to decide whether or not you’re “pro” enough to justify a major upgrade? How much should passion play into the equation? Daniel Milnor is our Photographer of the Week.
July 5, 2016 at 1:30PM •
1 hour 18 minutes
This week, an article in the New York Times about Richard Avedon’s project “In the American West” has us discussing legacy. Who really owns your work after you’ve gone? Also, can you overshoot your own “creative sweet spot” only to end up in uncharted waters? We use the work of fantastic painter Andrew Salgado as an example. Plus, when do you give in to technology, even if it means changing a workflow that has worked for years? Janette Beckman is our Photographer of the Week.
June 28, 2016 at 1:15PM •
1 hour 30 minutes
This week, a discussion around limited editions and perceived value. Does a false sense of scarcity make people want work more? And how does scarcity affect value if the demand isn’t there to begin with? Also, we talk about the notion of creative rivalry using the Pet Sounds and Rubber Soul as a jumping off point. Plus, some gear thoughts around Hasselblad’s new X1D medium format mirrorless camera. Bill Cunningham is our Photographer of the Week.
June 21, 2016 at 1:30PM •
1 hour 43 minutes
This week, you’ve got questions and we’ve got answers. Spoiler: Not all of the answers are good. Great questions about motivation, focus, growth, the business side, finding balance and more. Plus a new assignment and Josef Hoflehner is our Photographer of the Week.
June 14, 2016 at 12:45PM •
1 hour 40 minutes
This week, are 10,000 hours alone really enough to be great at anything? Maybe, but the real answer is likely more nuanced. Experience does not necessarily equal expertise. Intent and purpose — not to mention innate ability — also play a role in chasing perfection. Plus, can analog tools make digital processing more efficient? Jim Brandenburg is our Photographer of the Week.
June 7, 2016 at 11:45AM •
1 hour 28 minutes
This week, a discussion around the work of painter Jeremy Mann, via the documentary A Solitary Mann by Loic Zimmermann. How much does happenstance figure into your creative output? Is your current style intentional or the result of a “happy accident” that you now continue to refine? The recent killing of an NPR photojournalist in Afghanistan sparks a conversation around photojournalism and the multiple areas where importance figures into making. Plus, remembering Muhammad Ali through the incredible photographs of his life and career. Nick Brandt is our Photographer of the Week.
May 31, 2016 at 12:45PM •
1 hour 37 minutes
This week, baseball and theater inspire a discussion around making things that can’t be made and how the conversation between maker and audience is sometimes the exact context that is lacking. Also, a discussion around landscape photography prompted by a listener email. Plus, a wrap up (for now at least) of the current Steve McCurry snafu. Clayton James Cubitt is our Photographer of the Week.