July 5, 2016 at 1:30PM •
1 hour 18 minutes
This week, an article in the New York Times about Richard Avedon’s project “In the American West” has us discussing legacy. Who really owns your work after you’ve gone? Also, can you overshoot your own “creative sweet spot” only to end up in uncharted waters? We use the work of fantastic painter Andrew Salgado as an example. Plus, when do you give in to technology, even if it means changing a workflow that has worked for years? Janette Beckman is our Photographer of the Week.
June 28, 2016 at 1:15PM •
1 hour 30 minutes
This week, a discussion around limited editions and perceived value. Does a false sense of scarcity make people want work more? And how does scarcity affect value if the demand isn’t there to begin with? Also, we talk about the notion of creative rivalry using the Pet Sounds and Rubber Soul as a jumping off point. Plus, some gear thoughts around Hasselblad’s new X1D medium format mirrorless camera. Bill Cunningham is our Photographer of the Week.
June 21, 2016 at 1:30PM •
1 hour 43 minutes
This week, you’ve got questions and we’ve got answers. Spoiler: Not all of the answers are good. Great questions about motivation, focus, growth, the business side, finding balance and more. Plus a new assignment and Josef Hoflehner is our Photographer of the Week.
June 14, 2016 at 12:45PM •
1 hour 40 minutes
This week, are 10,000 hours alone really enough to be great at anything? Maybe, but the real answer is likely more nuanced. Experience does not necessarily equal expertise. Intent and purpose — not to mention innate ability — also play a role in chasing perfection. Plus, can analog tools make digital processing more efficient? Jim Brandenburg is our Photographer of the Week.
June 7, 2016 at 11:45AM •
1 hour 28 minutes
This week, a discussion around the work of painter Jeremy Mann, via the documentary A Solitary Mann by Loic Zimmermann. How much does happenstance figure into your creative output? Is your current style intentional or the result of a “happy accident” that you now continue to refine? The recent killing of an NPR photojournalist in Afghanistan sparks a conversation around photojournalism and the multiple areas where importance figures into making. Plus, remembering Muhammad Ali through the incredible photographs of his life and career. Nick Brandt is our Photographer of the Week.
May 31, 2016 at 12:45PM •
1 hour 37 minutes
This week, baseball and theater inspire a discussion around making things that can’t be made and how the conversation between maker and audience is sometimes the exact context that is lacking. Also, a discussion around landscape photography prompted by a listener email. Plus, a wrap up (for now at least) of the current Steve McCurry snafu. Clayton James Cubitt is our Photographer of the Week.
May 24, 2016 at 11:30AM •
1 hour 30 minutes
This week, we’re talking about memories, specifically the culling of photographic memories. If forced to choose, how do you decide which memories to keep? What single shot best captures your childhood, your wedding, your parents or children? In the deluge of photographic imagery, how you choose the right lifeboat? Also, Cindy Sherman has released her first new work in five years, but without any context, is it any good? Hiro is our Photographer of the Week.
May 16, 2016 at 7:15PM •
1 hour 26 minutes
We’re a day early and all over the map this week, with topics including rating photographs in a changing aesthetic, online vs offline creative communities, making vs. sharing and a continuation of last week’s discussion about post-processing — specifically, how much is too much? Michael Kenna is our Photographer of the Week.
May 10, 2016 at 12:30PM •
1 hour 32 minutes
This week, we talk about the continuing evolution of photography from the perspective of seeing how genres are blending into one another and how so much of contemporary photography can fall under “lifestyle.” Also, two sides of a Photoshop discussion around retouching — one from the point of view of a model and the other from an icon of photojournalism. Plus, how do you feel about narrative in photography? Do you want to be told what a photo or body of work means, or do you prefer assigning your own narrative and/or backstory to the work? Bruce Davidson is our Photographer of the Week.
May 3, 2016 at 11:45AM •
1 hour 54 minutes
This week, after a quick teaser of next week’s show, we’re taking your questions and attempting to answer them. Topics range from gear to legacy to what makes a great photographer. We love doing these shows and if you didn’t get a question in this time, keep an eye out for the next one. Maurice Tabard is our Photographer of the Week.