March 29, 2016 at 11:30AM •
1 hour 33 minutes
This week, Instagram’s change from a time-based feed to an algorithmic one has us discussing the value of platforms like Instagram, Facebook, Flickr, etc. as viable means of sharing work, especially when it’s got a commercial component to it. We also talk about flow states – those periods of creativity when time seems to stop — both from the standpoints of controlling when they happen and what to do when they don’t. Plus, how many memories do you need? We talk about the often overwhelming size of photo collections and some of the ways to manage them. We tackle a couple Crit Wall entries from listeners and Peter Goin is our Photographer of the Week.
March 22, 2016 at 12:45PM •
1 hour 42 minutes
This week, we discuss what happens when you can no longer do what you love. What do you do if you can’t shake feeling that your best work is behind you? Malcolm McLaren’s son Joe Corré wants to burn his £5m collection of punk memorabilia. Here’s a question for next week: Do collectors of art or cultural ephemera have a responsibility to keep it or is personal meaning (or the lack thereof) more important? Chime in at email@example.com. Barbara Crane is our Photographer of the Week.
March 15, 2016 at 12:00PM •
1 hour 16 minutes
This week, a follow up from a listener about our “what makes a professional?” discussion from last week, specifically the idea of professionalism in behavior vs gear/appearance, etc. We also talk a little about regional aesthetics in art and photography and wonder how much of the technical limitations or defects that seem important to people making the work matter to larger audiences. Plus, a few things to think about ahead of next week's show. Alen MacWeeney is our Photographer of the Week.
March 8, 2016 at 2:30PM •
1 hour 38 minutes
This week, what does it mean to be a professional? Is it merely making a living from one’s endeavor or is there something else? Is photography something you need to do to achieve some greater sense of fulfillment, or is it simply a vocation? And is one more valid than the other? Also, we talk a bit about a new Van Gogh film that uses an oil painting for every frame. Ryszard Horowitz is our Photographer of the Week.
March 1, 2016 at 12:30PM •
1 hour 29 minutes
This week, how digital technology helped Emmanuel Lubezki shape the natural light on The Revenant. Also, we discuss the often cryptic presentation of online tutorials and ask: “How do you learn something new?” Plus, letting what you know affect what do and how far you’re willing to push outside your comfort zone. Check the show notes for teases of next week’s show. Ernesto Bazan is our Photographer of the Week.
February 23, 2016 at 11:30AM •
1 hour 30 minutes
This week, we’re discussing the good and the bad of habits—making them, breaking them and learning how to recognize when you may need one over the other. Also, a follow up on last week’s audiophile/photography discussion, particularly around street photography. Plus, we geek out a little over an interview with Photoshop Master Bert Monroy in which he talks about his massive 750,000 layer Photoshop illustration of Times Square. Robyn Beeche is our Photographer of the Week.
February 16, 2016 at 11:15AM •
1 hour 28 minutes
Paris Photo LA is cancelled permanently and what that means to collectors and fans of photography. Where do you fall when it comes to awards and competitions? Are they worthwhile endeavors and potentially valuable experiences or simply distracting popularity contests? Also, we discuss an interesting connection between audiophiles and photographers and the suggestion that where you came to photography from has an influence on the type of work that you produce or are drawn to. Sebastiao Salgado is our Photographer of the Week.
February 9, 2016 at 3:15PM •
1 hour 12 minutes
This week, we’re starting off with Cindy Crawford—she’s worked with some of the top photographers in the world and in her new book, Becoming, she shares what she’s learned from them. Also, we discuss the seesaw that is balances humility and confidence and how we may need to find a new struggle. Plus, technical details from Taylor Wessing and Instagram gives you more ways to share. Gilbert Garcin is our Photographer of the Week.
February 2, 2016 at 1:00PM •
1 hour 29 minutes
This week, we talk a little about the recent Gregory Crewdson show at the Gagosian in NYC and how seeing a photograph in person can be vastly different than seeing it on a screen. Also, how you feel about meeting your heroes? Would you like a one-on-one, or do you prefer to keep them in your imagination? Plus, a trip to B&H sparks a discussion around gear—both the limitations of it and the notion that regardless of how well a piece of gear works, there’s something to how it feels in your hand that impacts how you use it. Miles Aldridge is our Photographer of the Week.
January 26, 2016 at 11:30AM •
1 hour 27 minutes
This week, an experiment we proposed on the show a year ago yields some terrific results for a listener. Also, is the bigger problem getting beyond a plateau, or realizing that you’ve reached one in the first place? Plus, Instagram has grown beyond food photos and into a robust platform for discovery, particularly for photojournalism. Alfa Castaldi is our Photographer of the Week.