July 18, 2017 at 12:00PM •
1 hour 33 minutes
This week, a listener asks for advice on how to fund a print project, which leads us on a discussion around potential solutions as well as options for compromise on what the end product looks like — something anyone who has made anything will likely be able to relate to. Also, a few stories that re-open the discussion around copyright and what a slippery slope it can be to navigate on both sides of the equation. Plus, “fake” is the new “it” word — fake news, fake photos, fake fame — but what happens when we really do lose our ability to tell fact from fiction? Martin Munkácsi is our Photographer of the Week.
July 11, 2017 at 11:15AM •
1 hour 41 minutes
This week, we discuss the possibilities of stepping outside our comfort zones. Sometimes, the beginning of a project seems too far out of reach — maybe even more than we can handle — but we find that the sweet spot in the Venn diagram between challenge and uncertainty is exactly what we need to take the work somewhere it couldn’t have gotten to any other way. Also, where have all the Renaissance men gone? William Christenberry is our Photographer of the Week.
July 5, 2017 at 12:00PM •
1 hour 28 minutes
This week, for all of the “improvements” in the creative tools we use — specifically around software — have they really gotten noticeably better? Faster, yes. But are we more productive and is the work we produce better because of the tools or is it something else? Also, nepotism might get you in the door, but it doesn’t keep you in the game. Plus, should an artist be allowed to destroy his or her work from beyond the grave? Jason Lee is our Photographer of the Week.
June 27, 2017 at 9:00AM •
1 hour 16 minutes
This week, we’re talking about inherited meaning, specifically related to last week’s discussion around using tintype to capture older blues musicians and how that process seemed to “fit” the subject matter. Does the process give the photographs more meaning? Is the fact that they are actual tintypes “better” than if a similar effect had been achieved with a preset or a filter? Also, a terrific story about a husband and wife, their Hasselblad, and the Moon. Lilian Day Thorpe is our Photographer of the Week.
June 21, 2017 at 1:30PM •
This week, a discussion around long term projects, inspired by the work and career of Ed Gold, a photographer who often spends years on a single body of work. Also, art and politics have had a long shared history, but has the current political climate allowed art to cross the line? Plus, choosing the right medium for the job and advice on printing your images. Khadia Saye is our Photographer of the Week.
June 13, 2017 at 4:00PM •
1 hour 4 minutes
This week, we discuss what happens when the results of a project just don’t seem to match the effort we put into making it. Is “giving your best shot” really good enough? Also, a follow up on a previous discussion on how certain places seem to enable or at least play a part in what we make in them. Wolfgang Suschitzky is our Photographer of the Week.
June 6, 2017 at 12:00PM •
1 hour 41 minutes
This week, what happens when machines learn enough to not only sort pictures, but make them? Is creativity just an algorithm after all? Also, a discussion around self-publishing using a cookbook as an example as well as a reader who’s life was changed by it. Michael Wolf is our Photographer of the Week.
May 30, 2017 at 11:00AM •
1 hour 25 minutes
This week, we begin with a talk about the idea of obsolescence, from the perspective of tools and hardware that for seemingly arbitrary reasons are no longer able to be used. Also, a discussion around being on (or off) a roll creatively and how sometimes you can’t see the crest from the dip. Plus, does Instagram have a secret hashtag #blacklist? Ty Cole is our Photographer of the Week.
May 23, 2017 at 12:15PM •
1 hour 22 minutes
This week, a brief discussion around depression after the tragic loss of Chris Cornell leads us into a discussion of Basquiat and the recent sale that put him at the top of the heap of American artists (at least in terms of dollars paid for a single piece). Also, do your tools or creative spaces imbue you with superpowers? Should we expect them to? Plus, Greg Heisler of light and color. Photojournalist Stanley Greene is our Photographer of the Week.
May 16, 2017 at 1:45PM •
1 hour 34 minutes
This week, a discussion around music producers leads to wondering if the same producer-artist relationship to be productive for photographers. Would bringing in an outside - yet trusted - set of eyes help newer, better work emerge? Also, where does criticism come into play? Do you post wanting unsolicited feedback or do you look for honest critique from only a select few. Plus, a couple listener emails on whether writing about photography (or art) helps or is even necessary and help in choosing full frame or crop sensor. Chema Madoz is our photographer of the week.