December 16, 2014 at 12:15PM • 1 hour 26 minutes
This week, does “most expensive” always equate to best? SPOILER: No. Also, does finding an emotional connection to photographs (or any creative endeavor) mean finding an anchor you can relate to from your own life experience or can art have meaning in a vacuum? Plus, a terrific video series from the George Eastman House. Jane Bown is our Photographer of the Week.
December 9, 2014 at 11:30AM • 1 hour 36 minutes
This week, what makes a “good” photograph (or painting, sculpture, film, etc.)? Are there checkboxes that need to be hit or is good something more intangible, more ephemeral - maybe even exclusively personal? Also, once you do make something good, what do you charge for it? Where does value come from? Arthur Leipzig is our Photographer of the Week.
December 2, 2014 at 1:15PM • 1 hour 34 minutes
This week, we’re talking about the friction of creativity, getting out of your own way and how often the only way out is through. Also, finding help with the work that isn’t in your wheelhouse and using process to overcome technical limitations. Anne Geddes is our Photographer of the Week.
November 25, 2014 at 12:00PM • 1 hour 35 minutes
This week, Inspired by an email exchange Bill and I had with a listener, we ask each other as well as all of you: “What makes a good photographer?” Is it the work? Is it ONLY the work? Or is making interesting (read: good) work merely a byproduct of being an interesting person? Can you even separate the person from the work? Plus, Sohei Nishino is our Photographer of the Week.
November 18, 2014 at 11:30AM • 1 hour 24 minutes
This week, a discussion around a documentary about Polaroid, called Time Zero, gets us wondering about objects versus process and whether there is more intrinsic value in the artifact or the content. We also look at a few “link-baity” news items around the value of photography as art. Carrie Mae Weems is our Photographer of the Week.
November 11, 2014 at 10:45AM • 1 hour 11 minutes
This week, are you an artist or an entrepreneur? While on the surface they may seem similar, each offers a unique set of challenges that often require very different approaches to overcome. It’s an important question that many of us wrestle with as we try to find a balance between creating art and producing product. Guatemalan shooter Luis Gonzalez Palma is our Photographer of the Week.
November 6, 2014 at 11:15AM • 1 hour 27 minutes
This week, a wrap up of our terrific OTP meetup in Philly sparks an interesting discussion. Should art - both the making and the viewing - be a privilege or a right, regardless of ethnicity or economic standing? Are humans better with a healthy serving of art and culture in their diets? Also, is there such thing as too much art? Fascinating installation artist Chris Engman is our Photographer of the Week.
October 28, 2014 at 1:45PM • 1 hour 55 minutes
This week, is your image your own? Should photographers be able to use photographs of you without your permission - or even your knowledge? Also, an interesting discussion around when the idea for a project is more interesting than the execution. Plus, pricing and what freelance photographers can expect to make. Miller Mobley is our Photographer of the Week.
October 21, 2014 at 5:30AM • 1 hour 38 minutes
This week, we turn the show over to you, the listeners. It’s not so much a Q&A show as it is taking deeper look at previous topics that you’ve written in about. Topics include sources of inspiration, whether video is a “must”, how to improve, what not to shoot, the future of photography and even our favorite photos. Plus, you get to hear us botch the pronunciation of J.D. 'Okhai Ojeikere, our Photographer of the Week.
October 14, 2014 at 12:30PM • 1 hour 38 minutes
This week, with such great gear at our disposal, why does Program mode get such a bad wrap? Also should you be take a more serious look at Instagram as a delivery platform for your work? Pulitzer prize winning photojournalist Tyler Hicks is our Photographer of the week.